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Browsing: Comics
McFarlane Toys continues to expand the DC Multiverse with new releases — including an Atrocitus and Red Lantern Corps 2‑pack — that bring iconic DC characters to life.
With its extensive roster of heroes and villains, DC Comics has maintained a prominent presence in the superhero genre for nearly 90 years. DC’s iconic characters have faced threats stretching beyond their own universe for decades, including stories that put all of reality at risk of total annihilation. With battles at this level of sheer…
Legendary writers Kevin Smith and Andy McElfresh team up with superstar artist R.B. Silva for the newest high-octane adventure for Spider-Man and Hulk in SPIDER-MAN/HULK: FIRE AND BRIMSTONE (2026) #1! It’s nonstop action! Side-splitting quips! And… the exorcism of Bruce Banner?!
DC Comics has hit a level of popularity that didn’t seem possible a decade ago. DC is crushing Marvel in sales for the first time in ages and it’s an amazing time to be a fan of the publisher. This isn’t just Batman comics outselling everything while the rest of the publisher’s output languished in…
Jeremy Robinson and VAULT COMICS – the best in horror, fantasy, and science fiction graphic novels!
Here are the titles from British publishers or titles featuring British comic strips featured in Diamond UK’s catalogue for August 2026, available to order from your Local Comic Shop.
In AVENGERS: ARMAGEDDON (2026) #1 by Chip Zdarsky, Frank Alpizar, and Delio Diaz, Red Hulk’s devastating tear across the globe must be stopped… but it will take a colossal gathering of Earth’s Mightiest Heroes to do it! Calling in the Avengers, the Fantastic Four, Wolverine, and more! But who will survive this super-powered cataclysm?! There…
Below are some comic strip and cartoon books scheduled for August 2026 release (or so). Images and links from a variety of publishers and outlets, though ordering through your local comic shop or independent book store is a good idea.
In an essay by Ignacio Fernández Sarasola, originally intended as a centrepiece for IJOCA 27-2, now online on the International Journal of Comic Art blog, has delivered a deep-dive into post World War Two British newspapers and microfilms, revealing how the press strengthened public opinion against “American” or “horror” comics.
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