Vampires represent a very terrible and forbidden romance. No matter how handsome they are, they are still violent creatures who love to own and control their victims. Their desires are impossible to satisfy, and this requires eternal murder to ensure its persistence. They can only do all these murders at night, making a walk on the beach and the possibility of spring picnics. And, if that isn’t enough, they tend to be tortured by losing their soul friend, a true love. But romance is by no means dormant. For example, the classic vampire has the same cloth cut as Dracula, finding a new lease on it in the form of a woman, reminding them of the lease that time and environment stole from it. Then, the creepy courting process begins.
This is the method Francis Ford Coppola Built his classic vampire version in the 1992 film Bram Stoker’s Vampire. start Gary Alderman As a vampire and Winona Ryder As his new love Mina, the story turns the titular monster into the sensual force of the movie’s slogan “Love never dies.” Alderman himself has recorded it on the record, saying he accepted the role and could only tell what the most memorable offer in the movie is: “I crossed the ocean of time to find you.”
It’s easy to argue about Coppola’s Dracula It’s the most romantic vampire movie ever and a sure blow when watching blood with that special person. But recently, a new challenger has entered the arena, Robert Eggers‘Remake Northof. Eggers are here seeking more primitive and carnal romantic expressions, although “romance” may not even be the right word. In fact, there is even no romantic Northofmore about how vampires become a stand-in who doesn’t want to let go of the abusive ex-boyfriend he has for a long time forgotten. In this case, the defined quote also comes from the nominal vampire: “I am the appetite, that’s all.”
So it’s Valentine’s Day, you’re ripped between two movies. You want romantic, something that can light a candle, or pair with those old-fashioned wines you save all the time. Do Northof Scratch itch (or start)? or Bram Stoker’s Vampire Or the king?
Coppola’s winner is based on comprehensive and commitment to romantic emotions Dracula. The film just knows how to build a relationship between Mina and Dracula just the dangerous and scandalous nature of it. It can ridicule sex when needed and inject stories into the evil of vampire fear with an ancient sense of evil.
Bram Stoker’s Vampire Gain advantage by investing all the effort to create a true romantic horror experience, finding beauty in all the ugliness of the vampire author. As a result, what we get is a tragedy that turns love into a poisonous delicacy, even if lovers desire to indulge in addiction, even if it means becoming an immortal creature, and must be friends with it in order to become friends with death .
Eggs’s Northof Immerse in Coppola Dracula For some romance, it does not completely give it a twisted meaning, thus betraying its potential. Eggs hints about a more fanatical, sexually-laden vampire story in his film, but he doesn’t walk enough to really make it sing. Of course we see the cock of Count Orlok, who looks like a beautiful corpse full of grace decay, but there is almost no boundary that really sets it apart. And this opportunity is there.
The woman Orlok is fixed on Ellen (by Lily-Rose Depp), constantly indulging in the deep memory of the physical stages of his life, means that everything that happened between them is deeply and painful, but also sinful. Unfortunately, this inherent madness is downgraded to advice. It’s very tame for a movie that seems to crave play with the attraction of danger and the idea that you’ll be plagued by that experience forever. Plus, beard doesn’t really help things.
have Northof The trailer suggests deeper eroticism, suggests Bram Stoker’s Vampire There will be a harder game. For a movie about primitive sexual desire, there is little diet. Not enough for Allen’s so scarred fun. Dracula There is no subtle trouble in this regard. It allows itself to be free to fall into romance. It gets some real sensory sequences that go a thin line between true love and dark desire. The film even has a werewolf sex scene that complicates the sexual politics it explores (which is varied).
The choice is clear. If you want to set a mood that will lead to something happening in the movie after the movie rolls, Bram Stoker’s Vampire It’s the absolute winner. Be sure that this choice may inspire some of one’s own indecent behavior in a good way. As long as you plan to add biting to other events of the night, make sure you have a safe word.
