MUMBAI: Every Sunday morning in 1987, India came to a standstill for a man in a chariot. Ramanand Sagar’s Ramayan emptied streets, delayed weddings and, decades later, drew record lockdown audiences when Doordarshan reran it in 2020. That devotional pedigree is now the launchpad for a considerably less pious ambition. Sagar Pictures Entertainment (SPE), the…
