Oftentimes, when creating works of semi-autobiographical (and even autobiographical) comics, there’s an air of melancholy to them. Be it Eddie Campbell’sAlec, Tillie Walden’sSpinning, or Alison Bechdell’sFun Home, there’s a sense of yearning for a time long since passed, even if it was but moments ago. Even more acerbic works like Harvey Pekar’sAmerican Splendor still have…
