It all ends with us The global box office exceeded the $100 million mark in its first week.
The film, based on Colleen Hoover’s best-selling novel, hit a milestone Wednesday, grossing $68.9 million domestically and $46.6 million abroad for a global total of $115.5 million. (The film, starring Blake Lively, was released in select overseas markets for a day or two before opening across North America on Friday, August 9.)
Produced by Sony and Wayfarer Studios, the summer film debuted domestically over the weekend of August 9-11 and exceeded all expectations, grossing $50 million at the box office. It ranked second after its third weekend Deadpool and WolverineThe superhero blockbuster stars Lively’s husband Ryan Reynolds and Hugh Jackman. on Monday, It all ends with us ahead of dead Pool The third one has been ranked number one ever since.
The R-rated film also impressed overseas, taking in $30 million in its first 42 markets against a $25 million budget, for a global debut of $80 million.
It all ends with us Lively stars as Lily Bloom, who overcame the childhood trauma of witnessing her father abuse her mother to start a new life in Boston and realize her lifelong dream of opening her own business. A chance encounter with charming neurosurgeon Ryle Kincaid (Justin Baldoni) sparks a close connection, but as the two fall deeply in love, Lily begins to see sides of Ryle that make her I remembered the relationship between my parents. When Lily’s first love, Atlas Corrigan (Brandon Skrennar), suddenly reenters her life, her relationship with Lyle is upended, and Lily realizes she must learn to rely on her own strength Making an impossible choice for your future.
Wayfarer Studios co-founder Baldoni directed the film.
All eyes are focused on how It all ends with us will be performed the second weekend. It faced little competition in female-skewed fare and had excellent audience scores. Sony insiders are cautious about suggestions of $22 million to $24 million, but others think it could be in the mid-to-high range of $20 million.
There’s also an ongoing social media firestorm over Lively, Hoover and other actors conspicuously not being photographed with Baldoni at the New York premiere (they also unfollowed him on Instagram). There were reports that rifts arose during production due to creative differences between Lively and Baldoni, as well as accusations that he alienated Lively and others on the set over certain comments. So far, neither party has commented, although Baldoni has hired PR crisis communications director Melissa Nathan.
When users on social media accused Lively of not taking the film’s domestic violence themes seriously enough, even Sony executives joined in supporting Lively, despite her frequent press conferences about it.
“Blake, Colleen and many women have put in a huge effort on this extraordinary film, working selflessly from the beginning to ensure that such an important subject was handled with care. Audiences loved the film. Blake was instrumental in promoting awareness about domestic violence.” The enthusiasm and commitment to the dialogue are to be commended. hollywood reporter August 15th.
“We loved working with Blake,” the executive continued, “and we hope to do 12 more movies with her.”
