Welcome back to the true believer to another version of Marvel Rutdown! This week enters the past journey – before Nick Fury was the man behind the wall, before he served as the Shield Director, and even before he was the head of how called Commando! This is the unknown story of his first meeting with Marvel’s alien dragon fascist Fin Fang Foom! It is Nick Fury vs. Fin Fang Foom #1J. The latest in the Michael Straczysnki series’ alternative mashup series.
After the main event, insist on a rapid outbreak and continue to cover the X-Manunt event. X-Men #13 and X Factor #9 also Star Wars: Vader’s Legacy #2.
True believers want to hear from you! Tell us what you think of this week’s Marvel Comics! Speak up to us in the comment section below or in the comment section @comicsbeat or @comicsbeat.bsky.social and let us know.
Nick Fury vs. Fin Fang Foom #1
writer: J. Michael Straczynski
Pencil Master: Elena Casagrande
Color Artist: Mattia Iacono
letter: Travis Lanham of VC
cover: Gary Frank and Alex Sinclair
It was a turmoil when the Marvel team at beat realized it J. Michael Straczynski Writing a series of alternative team books, we lament the focus of missing opportunities Doctor Doctor Doctor Doctor Doctor Doctor Doctors with Rocket After release. As a fan of Straczynski’s neglected team series Brave and bold Running in DC, I’d love to know this week’s Nick Fury vs. Fin Fang Foom There is a store. Can this weird showdown have the same magic as the unexpected team between Etrigan the Demon and Aquaman?
What makes Nick Fury an interesting character is that he is so self-severe and stubbornly mean. However, he found himself constantly falling into a situation where he was not deep. Fury’s attempt to find out how he doesn’t suit his own problems, while never losing his own coolness, and even seems to be surprised by any strange events around him, is often the secret to a pleasant story. Here he competes with Marvel’s inhabitant Ancient Dragon/Transformed Aliens, Fin Fang Foom in the story of Fury’s short-lived World War II heyday.
Despite Straczysnki’s trademark attitude, it’s a show of the artist Elena Casagrande, His work is beautiful and film-like, perfect for the old Hollywood vibe the script calls for. Even heavy performance scenes have drama, dynamic work and expressive faces. The huge widescreen panels of the biplane crawling along the sky gave way to the large number of double pages of the dark vision. Large panels allow us to occupy the cold hillside range and dominate the juxtaposition. Casagrande’s portrayal of The Beast captures a wonderfully evil self-satisfaction that reminds me of Milt Kahl at Disney’s Jungle Book. His eyes are rarely more than half, and his chin is disdainful because of everyone who dares to waste time. Each choice of Casagrande shows some expression of these characters or aid when telling the story. This is obviously one of the best talents in Marvel’s work. Lines are improved by colorist Mattia Iacono Who has a sleek, poppy look that evokes Marvel’s Silver Age monster story, not a war story. Classic comic books are a mixture of bold pop colors that sometimes change just to make the panel stand out, just to make the panel stand out.
Gary Frank’s The art of covering the grey sergeant. The angry and terrifying fin foom is cool, but Casa Grande has a sense of life and action that makes this problem pleasing in ways that dirty realism can’t do. Fin Fang Foom doesn’t feel threatening or scary because he’s very scary, but because he feels so active and smart. You can see him thinking – it’s more disturbing than the violent monster.
The story itself is shallow, spends a lot of real estate setups and explains the anger issue. There is nothing here that will allow you to recheck Nick Fury or the Marvel Universe, but when there is certainly an interesting idea that is to motivate the character and see for the first time what he is in action compared to something other than his deadly imagination. There are some deeper hints that Straczysnki tried to implement, but the pacing has stopped, the time to set up is too much and not enough in climax and resolution. Still, the artwork is great, and it keeps the book from being tedious. A trustworthy person Travis Lanham Who keeps all the heavy conversations easy to read and never mess things up. The team here is obviously having fun visiting the Marvel Universe, and the feeling pops up from the page.
judgment: This is an interesting single shot of reading on a sunny spring afternoon. purchase.
Quick explosion
- Star Wars: Vader’s Legacy 2
- If you’re wondering why they make comics for properties like this Star Wars, Vader’s legacy It’s the answer. With its current storyline,Kylo Ren reigns” The Last Jedi and The Rise of Skywalker It’s the bridge we learn how Kylo Ren completely embraces him turning to the dark side. veteran Star Wars writer Charles Soule Lead Kylo on a journey of discovery that reveals his family’s past and connection to the dark side. As always, Soule takes things on the screen and fleshes out new connections and expands the concept of enhancing the depth of characters the actors carry. This question is almost a leisurely rhythm Vader’s legacy Take us back to the Star Wars universe, the beginning of the desert planet Tatooine. After Luke Skywalker’s first adventure, Tatooine is in the past Original trilogy or Bobb Fat Book, One knows the emperor’s mind as he travels through the city with his overly longing guide Vanee. artist Luke Rose and color artists Nolan WoodardWhen Kylo learns of grandfather as slaves, fiction and events that really mark Anakin’s turn to the dark side, the intense visual artwork between the present and the past is dancing with the present. Kylo’s anger and arrogant man leads him on a journey of revenge to ensure that his grandfather’s legacy is wiped out and only the legend is remembered. – GC3
- X Factor #8
- continue X-Men #13, Factor X #8 exposed the confrontation between the X-Factor and the Cyclops X-Men team. In the chapters so far, the writer Mark Russell Recognize that readers may not know what is going on Factor X. He works around any plot that happens in the book and connects any story with it X-Manhunt. Thankfully, this is the most interesting question in the entire crossover. The Beast realizes how his team overwhelms his team a little need in this story. For the chance of the Archangel turning into a murder ball and chasing the beast. artist Bob Quinn Going a long way from the stiff poses of early problems and indeed leaning towards comedy that is action-oriented. Perhaps the most disappointing part of this issue is the Cyclops vs. Havok confrontation. Unfortunately, just like in this crossover situation, the response to this conflict depends on whether you have a deep understanding of Book X over the past few years. Look, we are nearly two chapters, and there is a story next to it, and the bet is still so vague when we complete this crossover. Apart from the fact that people are really interested in Charles Xavier, we still have little idea what is actually going on. At this point, everything that happened to his daughter seems almost completely forgotten, although the question hints at Xavier’s plan. Although the story is cut off before anything is revealed. again. The 90s X-Book crossover that this story wants to emulate may be almost impossible for non-X-Book readers. These stories have at least a clear bet, and take some time to breathe, at least a matter of meaning. X-Manhunt is so rushed and difficult to understand, it is hard to think about how this arouses interest in the industry. At least this X factor is interesting. -DM
- X-Men #13
- Over the past seven nights, I’m looking forward to the next chapter of X-Manunt, I wake up in bed. The first three chapters have many shortcomings in the chaotic geography and chaotic storyline. “Is this about Xavier’s daughter? Is Xavier collapsed due to a mutated tumor? Why is Mojo there?” I asked myself all the questions about being in a state of uneasiness. Do X-Men #13 Solve my problem? Not really. Its role is to have big battle scenes between “Defeat the Storm” (I haven’t read the Storm yet, so I’m overwhelmed here) and the Alaska branch of the X-Men. writer Jade McKay Indeed, a story is wrapped into g and brings solid character beats to Quientin Quire and Juggernaut. Honestly, the astral plane battle between Quentin and the professor may be one of the best moments for crossovers to date. Unfortunately, another psychological fight happened in a grey cross-border attack a few months ago. artist Netho Diaz Doing an excellent job illustrates the shocker of this issue. The kinetic energy in the fight between Swordsman and Storm matches the almost horrifying atmosphere of the duel between Quentin and Xavier. Morrison’s running visual and literary callbacks made me happy. However, this question feels fake. These moments have no substance. This doesn’t even start to involve the “and…then” style of storytelling, with nearly every issue of the event being shown in the cast of another X-Team or another X-Book to steal Professor Xavier as if he was some kind of McGuffin. This put me in the main problem of this crossover: the lack of continuity between events and lines themselves. Why did this all have to actually go through two months after the last crossover? Until this point, it’s just unnecessary. There is no real breathing space to make Xavier’s internship at Graymalkin Prison have any real weight. I personally liked this question very much and had a great time, but the X-Manhunt event still has a lot to be desired. -jj
