David Cronenberg Thanks to the movie, I won the title of Body Horror Master Scanner,,,,, fly Remake, exist,,,,, Video recordingand Cultivate heart. Everyone breaks the boundaries of our understanding of the human body and the horrors it contains and can manifest. But they aren’t just about horrible transformations and body mods.
Cronenberg uses his iconic horror brand to comment on countless things in each of his films. exist It might be about a biologically injected video game console and how it paves the way for a new addiction, but it is also about our willingness to reshape reality and turn it into something we can replace life. To be fully involved in the movie, you need to be able to have multiple conversations at the same time.
Kroenberg’s latest shroudit’s just that this is a mess that’s related to the big picture. Only this time can chaos rule freely. While the story is ultimately about death and sadness, it can bring romance, conspiracy, sex, paranoia, burial plot technology, artificial intelligence, and other other things that can be imagined. It depends on us, it is a different process than accepting death.
shroud Follow Karsh(Vincent Cassel), a cemetery entrepreneur, invented Gravetech, a tombstone with a small screen that provides visitors with live interactive feed for loved ones to break up the bodies. The cocoon-like shroud makes the image possible, which scans the body for easy viewing. Karsh died of grief after his wife Becca died (Diane Kruger) Four years before the story begins. After a strangely suspicious battle with cancer, she surrendered. Cash planned to be buried beside her, speaking, and he could not imagine the romantic life after vain.
One night, one of his Gravetech websites was damaged by a group of hackers. The tombstones were damaged, some were destroyed, and the feed that included Beca had been cut off. It’s the beginning of a complex search of those responsible for these behaviors, which will require Karsh to drive a competitor in an attempt to compete with Gravetech, his passive relationship with Becca’s twin sister Terry, who has awkward ex-husband Maury (a clumsy relationship that a show promotes) Guy Pierce), and a missing doctor with his history with Becca.
shroud Survive through the power of dialogue. Communication contains personal details and questions that can drive the transition from one interaction to another. However, fans who hope to get a healthy body horror should alleviate their expectations. While we get very interesting snapshots in human bodies that break down or lack a few limbs, it always serves this story (always in Krohnberg’s movies), that’s not the main point. Instead, the purpose is to examine the impact of the loss on each character and how they mine their own grief and acceptance (or lack).
In a sense, Kroenberg applied death to every narrative chain discussed above. Terry’s divorce from Maury indicates his own death, an ending of a process with his own sadness. Karsh has an AI companion, similar to his wife who operates on his phone and other devices, escaping his resistance to moving on. The vandalist itself represents another loss, more permanent loss, because the chance of losing his wife’s feed is equivalent to turning everything left to metaphorical ashes (if he fails to resolve the mystery around him, that is).
The overall theme of death has multiple entry points, which appear in various genres. There is some fear when it comes to the shroud itself and the way we relate to the corpse, but there is a lot of humor throughout the process. Some of them are horrible, some are outright stupid. But it works because it adds to the strangeness of the situation. From a certain perspective, we even get what can only be considered Clorenberg’s view of rom-com (an idea BeatComment Edit Zack Classic Suggested when discussing movies). As Karsh slowly opened up, Becca’s subsequent sex life had a certain expression. Again, a chaotic mixture that just landed.
Cronenberg made the film with a focus on faces and expressions to really show all of that. It is a way of contemplation, inviting the audience to look for narration and other prompting characters that may radiate when they speak. It has a different rhythm from prose novels, which is the same as his previous films. Future crime. We aim to dissect the conversation, make decisions about who is distrustful and ask others about actions related to Cash. You should consider these things. It greatly rewards those who do it.
shroud Cronenberg said death is just the way Pandora’s box is opened. No finality. Instead, we get a new series of plot threads. And they are not adjusted to the same frequency exactly. They don’t all fall into the same category. Death is denied. Death is a conspiracy. Death lies in the dirt. It’s sex. This is everything, never nothing. And, we have to suffer in our lives until we don’t.
