Face to face, true believers! Now is the time to make this week’s fascinating Marvel summary! We clashed between the Emerald King and the friendly neighborhood Spider-Man after the surprisingly violent predator and Spider-Man last week Godzilla vs Spider-Man #1. Can Spider-Man save New York from the Kaiju of Titanic while fighting a relationship dilemma? In a quick failure, we checked with Marvel’s first family, and they competed for Ben Grimm’s strength to return Fantastic Four #31 Then we go back to the past with the Wolverine dual function hellhunters #5 Wolverine and Kitten Pryde #1
True believers want to hear from you! Tell us what you think of this week’s Marvel Comics! Say loudly in the comment section below or in the comment section @comicsbeat or @comicsbeat.bsky.social and let us know.
Godzilla vs Spider-Man #1
writer: Joe Kelly
artist: Nick Bradshaw
Color Artist: Rachelle Rosenberg
letter: VC’s Joe Caramagna
Cover Artist: Nick Bradshaw and Rachelle Rosenberg
Marvel’s Godzilla incident continues to develop this week. Godzilla vs Spider-Man #1. Like the previous mono, this story takes place in a specific era of Marvel Comics, the issue was firmly set in the 1980s, especially the events that followed Secret Warbecause Peter owns alien costumes and is still learning how it works. Given that Spider-Man was defeated by Godzilla, the story is not really focused on Godzilla’s battle, but on Peter Parker. This is where I question it.
Look, I’m here to firmly document how a good Godzilla comic focuses on human stories first. Godzilla often uses more environmental and external conflicts as external conflicts in human stories, unlike natural disasters or wars. This only works when human stories are fascinating or at least interesting. Joe Kelly Not just a competent Spider-Man writer. He knows how to write high emotional moments, and also knows interesting moments. The problem is that Kelly decided to joke on this comic. While there is nothing wrong with Sillier Godzilla or Spider-Man’s story, it doesn’t work because it’s a more serious Godzilla story that clashes with the stupid Peter Parker story.
Kelly wrote about Peter from the 80s for the most good, but the conflict that Peter had to deal with was between Black Cat and Mary Jane Watson fighting for him. It’s offensive, writing about how bad Black Cat and MJ are here. They are characterized by mean girls who insult each other in appearance, just nailing to Peter Parker. They act not like actual characters, but just to solve Peter’s props. I’m generally not familiar with Spider-Man comics from the 80s, but I don’t think they were written in one-dimensional ways, just hurting the comics. Every time Black Cat and MJ are on the panel, I keep my eyes wide open because they are only picky about the stupidest things.
Kelly does lean towards the comic being a Jim Shooter Age comic from the 1980s and has done a lot of recaps about what happened in the Secret War. These are great and can help set the tone of this era, and I appreciate it for that, but he is so cute about the editorial title. The comic reads more like a Joe Kelly Deadpool comic with how many “Nick Low” subtitles are there. For record, if you don’t know, most edit titles are written by the author of the story and signed as edit. These things aren’t Nick Lowe’s joke. These are what Kelly tries to be cute. It was fun at first, but it was 5Th One, I’m over.
The Godzilla part of the story (although too brief) is interesting because the symbiote combined with Godzilla creates the situation of Govin. The narrative expresses Godzilla’s struggle with symbiosis and how Godzilla’s mission is to remove cancer from the earth, a type of cancer. The little knife stuff is more outdated, but I’m cool about it.
Nick Bradshaw Draw hell from this comic. For all my questions about Kelly’s writing, art made me almost forgive it. The work of the movement and lines is clean, illustrated in the 1980s style, but with a modern feel. There is one Art Adams I appreciate the detailed work and the effect of rendering. Bradshaw’s design of Godzilla and later expressions was so cool that it could only appear once.
For me, Godzilla vs Spider-Man #1 It’s Godzilla and the weakest in the series. The article tries to be too interesting and in turn creates offensive traits against two of the most outstanding women in the Spider-Man series. I just don’t like this Spider-Man or Godzilla fan. It didn’t succeed in what it tried to do, just made me insult to read it.
judgment: go through
Quick bankruptcy
- Fantastic Four #31
- writer Ruian North Ask a question that comes from time to time because their strength or character is wonderful because of their ability? The bad luck is still Person in chargeFF was trapped by him, and everyone’s favorite blue-eyed stuff was stripped of the Doom. I never knew the power of the first family was bound by the universe, and as things got lower, the rest of the team was counting down and losing power. The solution is to restore the power of things through cosmic play in the multiverse, by exposing him to the same cosmic rays that give him power. Pencil Master Cory Smith Hemo Oren Junior Have some fun Great travellet’s diversify alternative FFs, some of which are even heartbreaking. This question is an interesting concept of what lines will people cross to achieve their goals. Ultimately, this first family problem is a unique snapshot moment, and at this moment, it’s OK. – GC3
- Hellhunters #5
- No one can say hellhunters From the writer Phillip Kennedy Johnson and Adam Gorham It has not disappointed its premise. And featuring many of Marvel’s World War II heroes, including Nick Fury, Bucky, Agents Carter and Wolverine, as well as a new ghost rider who hunted down the Demon Nazis and saved the world, which is a great premise. The series ends with some extremely cruel actions from Gorham. Johnson’s military experience adds some authenticity to character interactions and prevents work from celebrating violence too much. Marvel hasn’t done many of these independent stories in history, so it’s a good speed change. Frank Martin’s The color really made the problem explode, and the fiery heroes brought the cold cold of the demon tribes invaded by the European Front to warm up. Travis Lanham On the letters, some excellent expressions were given to the VFX. It’s not basic text for any of these Nazi fighters, but it’s an exciting reading filled with cool moments of hell. Ghost Rider Flying Hell Fighter! Wolverine has fire claws! Young Bucky has a demon cyborg’s arms! – tr
- Wolverine and Kitten Pryde #1
- Let’s praise the letter Ariana Maher Where it expires. Make any comic letters for writers Chris Claremont It must be an unfortunate task. Long-term X-Book readers know the author’s text walls very well, detailing the characters’ internal monologues or life. There are no exceptions here Wolverine and Kitten Pride #1, a traditional sequel to the 40-year-old mini series Kitten Pride and Wolverine. Has anyone shouted to follow up on what happened after the series? The material in the question is not much less The incredible X-Men After that? This is another series where the basic writer gets stuck and replays the hits. Editor Tom Brevoort is very clear about how Claremont won’t appear in modern X books because he has very clear ideas about how these characters should work or that he wants to ride them. However, it must not be interesting for stories that he was forced to write only between other stories he had already told. Replaying the hit for any of these writers must be frustrated. The artist is not helpful Damian Couceiro. Remember Claremont regularly collaborates with artists like Frank Miller, Jim Lee, Barry Windsor-Smith or Art Adams? Couceiro’s work only highlights the writer’s weaknesses. His art in this series looks somewhat reminiscent of the 80s Matt Wagner But Wagner’s fascination with page design and comic forms is lacking. Couceiro’s pages just do the work, but no response was triggered. It looks a bit stupid to land on top of the enemy in the battle sequence, rather than causing surprises. The same goes for the ending of this book. There is a transition, but it is perfunctory, without the mood or mystery of what is happening. The incident just happened. It’s kind of like the existence of this book. True talent is passionate in books. – DM
True believer, this week is the Marvel Dancer. Join us next week Alan Davis,,,,, Mark Wyder,,,,, Sara Pichelliand other legends The amazing four posts.
