Greetings, miracle faithful! The world is on, and news is coming, and we are on another Wednesday on Wednesday, along with the beat of the regular comment series, new things and popularity about the House of Thoughts. This week, we are once again turning our eyes to a galaxy, far from the A Spotlight review of the premiere of Charles Soule and Luke Ross. Star Wars: Vader’s Legacy! But that’s not all. Stick to quick comments on all titles, including the Avengers #twenty three final #9. Oh, how about that Fantastic Four trailer?
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Star Wars: Vader’s Legacy #1
writer: Charles Soule
artist: Luke Rose
Colorist: Nolan Woodard
letter: VC’s Joe Caramagna
cover: Derrick Chew
this Star Wars The sequel trilogy is controversial, with uneven quality and a mix of movie receptions to the movie. But no one can deny that one of its strongest aspects is Kylo Ren of Adam Driver. The contradictory Ben Solo’s journey asks more questions than answers, leaving enough matching media space to enrich the role’s motivation. Telling a story about a character is a difficult task without the driver’s outstanding performance and with just all the characteristics of his body. Marvel’s first attempt, prequel mini series The rise of Kylo Ren, I was eager for how much content was added on the screen, but skeptical, which disappointed them to understand what they would do in the blanks of the more complete version.
Although it does not have his name in the title, Star Wars: Vader’s Legacy Kylo Ren Justice? The same cold darkness and complexity writer Charles Soule Bring Darth Vader’s spades. and Luke Ross’s Amazing art and Nolan Woodard Bold colors, Vader’s legacy #1 is one of the best Star Wars The question Marvel asked in his 10 years. Soule proved to have a firm grasp of the original trilogy characters, especially Darth Vader and Anakin Skywalker. But Kylo Ren is a completely different character, a child who desperately proves himself to be a man, a boy, haunted by his past, desperate to surpass it. Vader’s anger is a scalpel, Ren’s a hammer. Vader’s darkness pierced almost all the light inside him, and Lun’s light continued to flash in the darkness.
Soule’s script explores the compelling emptiness of Kylo Ren’s motives: He has no reason to turn to the dark side except for his own fears that cannot live up to the legend of his parents and uncle. He became a galactic fascist to prove that he should be ashamed of what he has. Anakin Skywalker is a boy born in slavery, trapped in the Galactic War and was dismembered in the hands of his father’s figure. Despite Ben Solo’s worship of Vader’s legacy and dark behavior, he could never understand what motives were that made Darth Vader so powerful. Here, on an unforgettable line soule The Last Jedi, “Let the past die. Kill it if you need it,” and distinguish it from the relationship between the past. Kylo Ren can’t get rid of his history because so much makes him closely related. Ren tries to move forward by ignoring his identity before embracing the dark side. But Vader was exacerbated by hatred and pain in his childhood.
Vader’s legacy Pick up immediately after the incident The Last Jedi, Kylo Ren just murdered Snoke and fought his mentor, Luke Skywalker, but failed to eliminate resistance. He returned to the first-level order and gave Snoke’s body to his troops, nailed the murder to Rey, and announced his title of supreme leader. But he quickly retreated to the brooding in isolation, where he lost his temper.
Luke Ross’ art is excellent throughout the question, not just because of his ability to capture the actor’s portraits and Still expressive body language and emotions. Ross published the topics that Kylo Ren has troubled him in the past. In the two-page sequence, Kylo is surrounded by the vision of Luke, Leia, Han and Rey. They pressed on Kylo’s shoulders and ate them as he existed on the page. The inserts were arranged at will, falling from the upper left corner of the river, like a river rapids, and he could not stop flowing. The entire layout is full of this energy – the later action scenes similarly arranged with overlapping, angle-wearing panels. Kylo Ren’s spirit keeps fighting with himself, his mind is distracted, his emotions are tense and crazy. Rose’s storytelling reflects a lack of peace. Woodard’s color elicits anger and anger with the red consumed by the character’s anger. VC’s Joe Caramagna Dancing with an unstable layout, skillfully overlapping panels and moving balloons at a natural rhythm to make the page completely clear.
It’s been a while since I’m so excited about someone Star Wars Project. It’s a story that expands, enriches and builds on original material, and it’s this intimate storytelling comic that fits perfectly.
Final judgment: purchase
Quick explosion
- Avengers #23
- I’ll jump back Jade McKay‘ the Avengers Running this week Avengers #23 What I found was a very interesting period. Note that I’m entering this story because I haven’t read a lot of books since the first arcs and this story seems to be the middle of Kang. I mention all of this because I want to praise Mackay for writing a long-term and still accessible question. The problem is largely a robbery comic, where Black Cat cooperates with Kang to steal McGuffin from the master, and I am the fool at the robbery comic. Mackay did something interesting about the plot structure by starting the issue in Media Res and flashing back to show Black Cat and Kang bringing the gang together. Most robbery stories are standard, but still fun. Plus, Technet appears in this comic, which is a crazy attraction. Joyboy, a giant baby, turns people into the deepest desire to attack Iron Man, it’s a sight. Art Farid Sarami very good. Action shooting is sometimes stiff, clean and easy to follow. The story’s running has some reliable visual gags in the story. color Fedrico Blee There is indeed a long way to go to make this book look good. It’s a very miraculous house style, but looks good. Overall, Avengers #23 is a fun romp that I love, but that doesn’t make me want to read more. -jj
- Ultimates #9
- Each issue final The possibility of continuing to keep on with modern superhero comics is higher. Camp Deniz Every question drives this type of modern comics. Sometimes this means formal experiments, such as the Ultimate Doomsday Origins story in Issue 4 or a clever rethinking of classic Marvel characters like Hawkeye or Guardians of the Galaxy in this universe. But in each question, Camp redefines superheroes in the world of fascist dictators and hungry oligarchs. Issue 9, Artist with Guests: Chris Allen, The final Luke Cage is introduced. Here, the origin of the camp transplanted cage is a false convicted person to achieve this terrifying new reality. The change in this cage is that this cage has lived through his youth and adult life, through a harsh prison system. Like the Doom Origins issue, the time the camp and Allen play here alternates with every page between the past and present. This effect allows readers not only to gain more knowledge about Luke Cage, but also to enable manufacturers to take advantage of the prison system in his universe (spoiler: this is the same as our current prison system). How Camp and Allen fit the cage into the superhero’s idea, because the question is really exciting. This is just further proof, final Continue to show what smart superhero comics. – DM
Next week, all hail!
