James Gunn’s DCU reboot until Superman It’s expected to be released in 2025, but he said the film has already been shot to give the team involved as much time as possible to perfect the final look, especially the quality of the visual effects. The director’s comments come in response to growing concerns about CGI artists’ horrific special effects in blockbusters. pushed to breaking point.
“That’s why we insist Superman A year before release, and why they were hard at work on many of the shots in the months leading up to it,” Gunn posted on Threads on August 18. “That’s why we started editing zealously during filming. That’s why I prepared so aggressively and that’s why we only shot the finished script. And superwomanI’m not directing, are being handled the same way. I have nothing but praise for the VFX artists who helped us create the magic.
this Guardians of the Galaxy and suicide squad In 2022, Warner Bros. hires writer-director to rebuild its DC Universe for the big screen and Superman: LegacyIt will arrive on July 11, 2025 and is the first project of this plan. The first photo released from the film, “shot entirely on-set by Jesse Miglio,” shows the titular hero wearing a suit in an apartment with a giant purple laser in the background . it asked various questions Some fans were interested in the film’s look and art direction, with July’s photos leaked Continue to spread skepticism.
The recent boom in theatrical blockbusters and new content on streaming platforms has led to an over-reliance on green screens and post-production effects, in addition to Stretch VFX house too thinalso just looks bad. There’s no better evidence than last year The FlashGunn’s last breath before the DCU, sometimes looks badsome fans dunked on it because it looked like this Excerpted from a mid-budget video game.
“If you do some research, you’ll find that I always take a different approach to my films, and I always give my visual effects artist collaborators time to do their jobs properly and give them the respect they deserve,” Oka said. Eun wrote over the weekend. “Because of that, the quality of the visual effects in these movies is so outstanding (and because my friends at companies like Weta, Framestore, and ILM are all so talented).”
