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    Home»Movies»“Folie à Deux” – the dangerous beautification of notoriety disguised as art
    Movies

    “Folie à Deux” – the dangerous beautification of notoriety disguised as art

    Comic VibeBy Comic VibeOctober 29, 2024No Comments2 Mins Read
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    Joker pas de deux, Joker musical, Joaquin Phoenix Joker, Lady Gaga Harley Quinn, Joker movie review, Joker movie analysis, Joker sequel, Todd Phillips Joker, psychological thriller, Joker alter ego, mental illness in movies, Joker Romance, Arthur Fleck, Harleen Quinzel, Joker Controversial Subjects, Joker Humanity, Joker Dark Love Story, Joker and Harley, Joker Madness Defense, Joker's Risks of Fame

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    Rating: 0.5 out of 5.

    Musicals have always held a special place for me. The unique challenge of expressing emotion through song and dance adds depth and complexity to any performance. So when I heard the news Clown: Pas de deux If it were a musical with Joaquin Phoenix as the Joker, I can’t help but be skeptical. Is this a joke? But as I started watching, my doubts turned into deep discomfort—and not the thought-provoking kind.

    The story centers on Arthur Fleck, also known as the Joker (Joaquin Phoenix), who is awaiting trial for violent acts he committed in his past. His lawyer Marianne Stewart (Catherine Keener) tries to save him from the death penalty, arguing that the Joker – not Arthur – is responsible and trying to separate his crimes from the Joker himself . Along the way, Arthur meets Harleen “Lee” Quinzel (Lady Gaga), to whom he is quickly attracted in the prison’s desolate surroundings. The film then asks the question: Does Arthur or his Joker character deserve a second chance?

    Frankly, the film’s premise feels contrived and misguided. Why would Todd Phillips take such a disturbing turn to portray the Joker as a misunderstood character worthy of sympathy? What does this add to the narrative landscape? While mental illness is a topic worthy of nuanced exploration, the film’s approach seems dangerous and misguided. In a world where fame-hungry people may already seek notoriety by imitating violent figures, humanizing a character like the Joker may encourage his reprehensible behavior.

    Arthur’s musical elements and persona cast him as a victim of circumstance, which feels deeply out of place given his past actions. The film seems intent on evoking sympathy for a character with little moral basis. Ironically, Harleen Quinzel is portrayed as a potential antagonist because she could break Arthur’s heart – a bizarre twist that adds little depth and only further muddies the message.

    in the end, Clown: Pas de deux Blurring the lines can trivialize violence and celebrate shame. This narrative fails to consider the consequences of making the Joker appear sympathetic, potentially giving a misleading platform to those who might find a sense of validation in his chaotic and destructive path.

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