Children’s horror movies contain a large number of movies that can create lifelong fans. Children from the 90s are particularly suitable Halloween Town,,,,, Nightmare before Christmas,,,,, Witch,,,,, Casperand hocus pocus etc. These are not accidental frightening movies, like Willy Wonka and the Chocolate Factory Thanks to its weird Oompa Loompas and the disappearing kids or The Wizard of Oz Because of the witch and her flying monkey. They have been horror movies for young audiences from the beginning.
Good people take horror seriously toward horror objects, adapting them into age-appropriate sensitivity without turning them into heads that put the style of the genre in a story of another age, or have made extensive comments on the importance of the family (themes are important to the family in both YA and older age storytelling). Monster House (For example, 2006) is a great example of a child doing horror right. It bears the idea that houses are always likely to become places of trauma and fear due to the behavior of the people living in it. It’s about the difficulties of the past and how the pain of our growing up is tied to the attractions. The film extends the idea to the end, without shying away from the titular promise of the strange house. It has some “coming of age” and family drama, but not unsatisfactory.
Floating Night (directed by Rodrigo Pérez-Castro and Ricardo Curtis and based on unpublished Clive Barker Story) is the latest in this series of films and it can easily become one of the best examples in recent years. It resorts to the notion that it tells the story of animals, telling a story about teamwork, trusting and discovering unlikely allies. It takes place at a giant zoo amusement park called Colepepper Zoo. A young wolf named Gracie (Gabbi Kosmidis) A pink meteorite crashed and landed on the park, causing all kinds of damage and walked out of her fence. The meteorite eventually enters the pet zoo where the rabbit is infected by it and becomes a mutated version of itself, matched with pointed teeth and claws. Simple bites turn the animal into a mutant with green eyes and the need for burning requires infection of other mammals in the zoo.
GraciePort David) Together they try to find a way to survive while figuring out how to reverse the mutation. The problem is, Dan believes the crisis is a chance to leave the zoo and return to the wilderness. Gracie wants to make sure everyone is safe before other considerations. But as more animals join the group, paranoids begin, building trust becomes a bigger problem than the animals roaming the park. If this keeps the kids from following too much, there is even a lemur called Xavier (Pierre Simpson) Continuously explain the story structure and plot development.
Immediately, horror fans will recognize this setting as a classic George Romero Zombie movie. More specifically, it reminds Night of the Living Dead Its focus is on the risk that a group of characters assumes only by distrust each other. In fact, one of the supporting roles Plankton Is a stubborn and selfish proboscis monkey named Felix who can only be his role in some way, and Harry’s character in Romero’s classic, spends most of his screening time trying to convince everyone to lock themselves in the cellar and ride the zombie’s apocalypse on someone until someone saves them.
Because animals live on their shells and interact with each other from time to time, they are alert to their intentions and choose to make mistakes. To keep reminding it that where each animal falls on the food chain, you have a unique clever way to spin the zombie story, highlighting the metaphor that the sub-genre is famous for. They are fighting their nature to trust each other, but they are even trying, a powerful statement of what we should do as human beings with ease.
in short Plankton Use the tried-and-tested Romero formula to add a talking animal and come up with meaningful ideas to teach kids these valuable lessons about horror introductions for years. Until the end, it remained true to the genre and was equipped with mutated biodesigns that pose appropriate distractions to the target audience.
The last point of emphasis. Biodesign takes page from John Carpenter‘ matter For some truly sinister beasts that look and are dangerous. They dismember easily, but they can put themselves back together. However, there is no guarantee that each piece will return to its original socket. It’s fun and still within the cute range, but they don’t look cute either. You don’t want to be nearby PlanktonThe version of the mutated gorilla. The head may be lost soon, but there is always an arm or leg lying around to replace it.
The movie is fun, but make sure to portray this situation as something very terrible. It respects the suspension of young audiences to convey a difficult fact: terrible things do exist regardless of age and they can follow you. That said, it also reminds everyone of the power of quantity, and putting your trust in others is your best chance to survive. There is no other type of course, nor horror.
Floating Night It is a horrible early education. The kids will get some Romero, a little carpenter and some alien References here and there immerse them in a world that many of us love. They will be able to master the language of the genre and some of the tips it attracts to intimidate fans. More importantly, they want to see more. And, there is no good education sign than seeing more jobs for kids.
