Beat’s expert analysis of the new version of Marvel Comics welcomes you again. Our main comments of the week start with the latest crossover between Marvel characters and Predator and the 20th Century Fox Monster in Spider-Man #1 looking at the terrible start. Meanwhile, we have a quick failed check on a world in Doom and the latest issue of the X-Men!
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Predator and Spider-Man #1
writer: Benjamin Percy
pencil: Marcelo Ferreira
ink: Jay can afford it
color: Frank D’Amarta
letter: VC’s Clayton Cowles
1990 sequel Predator 2 Probably one of the craziest sequels to a true classic of all time. During the heat wave, policemen set up in the war between the two gangs in the future Los Angeles, and then the predator appears to murder everyone. There are a lot of suspicious representatives, Gary Busey is a government expert, and Danny Glover’s hero is unlikely. The urban environment provides some interesting setting works and visual effects for the monsters. Its predecessor was not cruel violence. There are a lot of dismemberments and gallons of darkness, slimy 90s fake blood.
Usually, these columns do not carry content warnings, but people Predator and Spiderman #1 is not for timidity. The comic is probably one of the most violent Marvel comics ever, rather than being released under Max Banner. Of course, it has to be the cruelest Spider-Man comic. From someone who often censors horror movies on this site, this is probably the badge of honor here.
The author’s script Benjamin Percyhe wrote other predators crossovers in the role of miracle, and of course he would get some inspiration from the 1990 film. There was no battle between Jamaica and Colombian gangs, but New York City suffered from the heat waves of monsters. Spider-Man and the police track down a killer who deprived the criminals of their body parts as trophy. In all of this, a power outage makes everything worse.
Bringing all this into a bloody life is the art team of pencils Marcelo Ferreira,ink Jay can afford itand colorist Frank D’Amarta. Ferreia and Leisten revel in the violence of the script. More images in home hellraiser The movie is better than Spider-Man comics, with pale body hanging with exposed bright red muscles. The face is sliced and worn. However, the real star of this issue is D’Armata. His emphasis on orange, especially red palettes, allows readers to truly feel the humidity of the story environment. When blood and body parts appear, they have true visceral qualities. His work turned this issue into a real bloody incident.
Now, it’s not about what the police should have to happen in the comics, nor should they happen. Creators should develop it wherever they should go. In other words, in this period of litigation, the litigation procedure has a certain degree of impact value. This level of violence and blood is no surprise for stories involving predators. But seeing a fly’s body for one second is one thing Predator Another to face its comics involves Spider-Man’s page, the reader’s eyes. Even stories involving serial killer massacres have never seen such weird examples.
That said, it’s fun to read a Spider-Man story where there is a level of violence in it. There are real bets here, and there is no guarantee that the hero will be completely unscathed. Who knows what kind of battle will happen when the heroes and monsters finally meet. Still some people think it will be a gentle person, and it’s a real shock.
judgment: purchase (Buyers should be careful)
Quick bankruptcy
- A world under Doom #3
- I can see all the writers Ruian North Trying to be a big man in Marvel A world under misfortune Events/status, but the comments are flat again and again. Trying to reflect the feeling of a world sliding towards non-liberal governance, it doesn’t make its villain apparently a villain. Not all of this is North’s fault, and Marvel has long tried to put the cake in the daily newspaper and also eaten with doom, which gave him a Saturday morning cartoon plan with lofty intentions and truly outrageous means for those purposes. For selfish security, it should be a story of freedom compromised, but a story of breathing from the trivialities of the real world. North’s comedy can sometimes ruin drama. The final moment hints at the second act, ultimately revealing the flaws of doom and the dangers they pose. There is nothing inherently bad here, I just can’t bear the threat of investing in it. RB Silva Still amazing. This is the best and most dynamic job of an artist’s career. The large kit is truly amazing, and the tiny quiet moments are just as heavy. David CurielThe S color is lush, full of vitality and texture, giving the huge visuals extra impact and excellent superhero comics. I’m still curious to see rewards here, but hopefully this does more reason for the hero’s suspicion. – tr
- X-Men #15
- Flagship X-Book returns this week X-Men #15. This question is a solid action story. writer Jade McKay On the past few issues (even in the non-second X-Manhunt incident), tension and action have been steadily increasing and starting to have fever on this issue. It’s refreshing to see the evil cabal finally take action. While I don’t want to compare the current X-Men to previous times, I do like 3K to actually do the team’s action rather than the slow buildup of orchids that took too long. McKay continues to play a role in the Morrison Sandbox and uses parasitic twins. This week, it was ridiculed by having Cassandra Nova interfere with the evil Twin. Art Ryan Stegman and Villa CF Same action wrapper, but sometimes messy. This is the first question in the series, it feels rushing, and the bevy of the inks makes that feeling full of confidence. This question has Ryan Stegman, JP Mayer,,,,, Life, And the story of Villa Ink. In 2025, there are two pencil paper (their own line ink) with four inkists in the monthly regular books. It helps make the pace faster sometimes and leaves us rushing through a rather memorable moment of a row, but ships 18 questions per year (Editor’s stated goal) Tom Brevoort) starts showing its defects. But, as I said, the art of Stegman and Villa is solid. Their styles are compatible, coloring Erick Arciniega Do a lot of work to make the book look more homogeneous than you expected to be art. The composition of the page is solid and exciting. I just can’t believe the standard length flagship series was pieced together by the committee. That’s not the worst X-Book so far, but it illustrates Marvel’s priorities. I don’t like to comment on these things, but poor management is the profession of these artists. Just because it works at some point doesn’t mean it should be executed all the time. Aside from that, I really like the question, but I don’t like the ugly side behind it. Hey, it’s like Morrison’s new X-Men, too. -jj
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