Face to face, true believers! Now is the time to make this week’s fascinating Marvel summary! This is the Emerald Giant Clash after last week’s new amazing Spider-Man #1 Godzilla vs Hulk #1. Who will stand out in this horrible chaos! Meanwhile, in a rapid bankruptcy, we signed up to the final Wolverine #4 and Wolverine #8 in two very different stories with everyone’s favorite Canadian mutants.
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Godzilla vs Hulk #1
writer: Gerry Duggan
Pencil Master: Giuseppe Camuncoli
Inker: Daniele Orlandini
Colorist: Fedrico Blee
letter: Ariana Maher of VC
Cover Artist: Giuseppe Camuncoli, Daniele Orlandini and Fedrico Blee
King of Monsters who fight various Marvel heroes are shown in a recent series of mono series by Marvel Godzilla vs Hulk. Like all these single shots, these stories are largely independent, with their own internal continuity. Honestly, this reminds me of IDW Godzilla opponent A series of single shots. Both follow a similar premise, which is to let Godzilla fight another monster, but the battle is largely secondary to the main human conflict. Godzilla vs Hulk It’s no different because it focuses on Thunderbolt Ross and his Thunderbolt team, whose mission is to defeat the Kaiju threat.
writer Gerry Duggan Do an interesting work here to build a schedule for this event. It is mainly by placing the banner on the lightning with the strange Godzilla Gosri little man Dr. Demonicus. The flag of this world controls the Hulk, but because he uses Rick Jones as the Hulk’s framework rather than the usual, it’s more like a monster than usual and lets him die to keep his identity secret. This is a strange footnote to the story, but something worth exploring. Obviously not in this comic, but it is a weird difference to the comic, a period work created in the 1970s that is largely in line with the general tone of Godzilla movies of this era. While the banner was strangely missed, Godzilla is considered a selfless monster characterized by the 1970s. These character moments aren’t necessarily bad, but it’s really weird in the comics, which has had a lot of success in matching the times of other characters.
Pacing is fast. It did some world building early, but soon entered action. The early focus was on human roles. I think this is a trademark of most Godzilla movies and is essential for Godzilla’s story to work. The story keeps rising as Godzilla attacks. We went from fighter to Mechagodzillas, and were the formation of Hedorah until we ended up being nominal battles. This battle is disgusting, but I think it fits the essence of Godzilla and Hulk in the 1970s.
Art Team Giuseppe Camuncoli, Daniele Orlandini and Fedrico Blee It’s done well here when building action kits and explaining various kaijus. Godzilla is a shocking monster because of his misleading simplicity. For many artists, proportion and emotion are hard to convey with Godzilla, but they do a great job. The decision to use Hedorah was a great one, as they were probably the most memorable monsters of the 1970s, and the new source was very unique. It turns out that there is a guy named Dr. Demonicus on your team just preparing himself for betrayal.
Overall, it’s an interesting Godzilla story. I’ve read dozens of Godzilla comics to beats, other comment channels, and casual. I love King of Monsters deeply, and this comic feels like a proper representation of Godzilla. There are indeed strange decisions about the decisions that banners are more clumsy than normal, but those decisions can be attributed to the content of an alternative schedule. Duggan does a great job of building the world without flashbacks. The art is solid and successful in performing the size and scale of the fight. I had a lot of fun, and so would most Godzilla fans.
Final judgment: purchase
Quick explosion
- Ultimate Wolverine #4
- One interesting thing to do occasionally is browse comics and ignore all words
Ultimate Wolverine #4 Just sit with the visuals and tell stories. exist Ultimate Wolverine #4which respects are more classic in theme than literal respects Barry Windsor Smith The Wolverine Story, Artist Allesandro Cabpuccio Euphemistic war depicting symbols and metaphors. Noble wolves and barbaric bears compete for winter soldiers. The push and pull of this spiritual battle is portrayed in the way creatures dominate the page back and forth. Bryan Valenza’s soft colors, white and cool blue are spoiled by vivid blood, highlighting the cruelty-free nature of the character. No words are needed to understand the bets here. That’s not very small Chris Condonscript. It’s a great question, but it’s Cappusio’s amazing tour. There are a lot of conversations throughout the process, mainly titles, just like people react to Logan in the wake of the world. These reactions highlight the character’s level of fear, but ultimately disconnect from the real flesh of the story. Corey LittleAs the titles stack up between each other, the lettering brings a crowded, harsh feeling, but never hides the exquisite creepy art. All of this and the surprises on the last page are revealed. What don’t love? – tr
- One interesting thing to do occasionally is browse comics and ignore all words
- Wolverine #8 (Legend #400)
- Vajra Ding release It’s fir
Wolverine #8 The story of the writer’s “No. 400” question Saladin Ahmed and artists MartinToadoolo When they doubled down on two action-filled chapters with everyone’s favorite Canadians. Several past questions anyone who fought Logan was touched by the near-attractive alloy Agamantium. All of them are under the spirit of the Vajra, and this mythical metal is based on. This story is done well, building this grand King Kong Ding, its purpose and what it means for Logan in the future. In Chapter 2, This is your lifeAhmed and Cóccolo provide us with front seats for Logan’s constant battle of control, as he has always been the epitome of the Nobel savage type, as incredible as he is the dangerous world. Now, he is forced to stop the criminal arcade he has been guiding the murder of innocent people in Wendigo to entertain dementia. Logan is forced to cross the carefully crafted murder maze of Arcade and encounters a robot similar to the important figures in Logan’s life, which allows him to relive the painful moments along the way to save the little boy who was cursed by Wendigo. They elevate the typical internal trauma we usually get from Logan and then surprise Logan at the end of the story. Supporting a normal creative team is one of my favorite creators lately Daniel Warren Johnson, short story Onryō. Logan in Japan’s feudal Japan This story is everything Johnson expected to tell the story taste and art style, a stunning cruel fanaticism, a crazy line covering everything Logan does when seeking revenge for his lost friend. – GC3
- Vajra Ding release It’s fir
That’s the Marvel summary of this week. Join us next week as the Avengers enter the next world of doom!
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