While the horror and weird heroes may be the early stun initially known and raised from Mainline DC, you might also argue that crime and mystery are also roasted into DNA. from Sandman Mystery Theaterbut later consolidated by such perennial classics 100 bullets and Scale. even Hell Brazz Sometimes it can be considered a dab in black, and there is a brief, but almost universal, black and white hardcover stun crime print.
For me, the last wave will be a crime book, which makes sense.
“I just want to belong somewhere. I was told all my life that I was sucking. That’s what they said, I’m not. I don’t have any place. ”
The U.S. Holocaust go through Bryan Hill, Leandro Fernandez, Dean Whiteand Pat Brosseau It is the story of former FBI agent Richard Wright, a guilty feeling of crime, who brings back a secret case to permeate a group of white nationalists. Try to find out who murdered another agent’s partner and dabbled through racism, greed and ambition. This is deeply unpleasant.
I can’t even say there is a grey shadow in this story. While you can say that leaders are at least trying to be a good person, the world presented here is full of lies, deception and hatred. There is a kind of moral relativism in which characters try to prove their hatred, demeanor of others, and blend racism and classism together, which is worthy of condemnation. But it’s actually people who have always done this. They never think that their behavior is unfavorable and are likely to believe that they are “good people”. Some will abide by ideology only for a sense of belonging. get along.
Leandro Fernandez’s style is reminiscent of Eduardo Risso and Marcelo Frusin. Fine, exaggerated characters are defined by a large number of shadows. It works very well in crime and horror stories, bringing rich darkness to the visuals. Fernandez’s layout and rhythm are also impeccable, especially when portraying violence and the despair on the faces of some characters. Dean White’s color enhances it, occasionally creating a watercolor effect and making the story’s atmosphere a little dim.
Pat Brosseau also does some fun things here with some balloons, some of whom open to the gutter. This effect visually makes conversations open more than all the shadows on the page.
“Richard, secrets are hard to keep. They eat you. ”
Interestingly, in all the last waves before the stun is turned off, The U.S. Holocaust Hill, Fernandez, White and Brosso are the ones who come to the conclusion. Not a person who lets things hang, but a clear purpose. I’m not sure if the ending is always planned, or if it’s much earlier than I hoped, but it’s nine questions, not six, and the ending is spinning. It’s a dark unsatisfactory ending, although that makes it perfect as well. The last chapter is bleak and will cause you to catch a cold.
The book gives a stern view of the uncomfortable subject. The character is almost completely unlikely. Language (I will be forgotten if I don’t tell you there is racial slander in the work.) And violence is tempered by the knife. And you won’t like the ending. Black is nothing better than this.
Classic comics outline: American massacre
The U.S. Holocaust
writer: Brian Hill
artist: Leandro Fernandez
Colored by: Dean White
letter: Pat Brosseau
Publisher: DC Comics-Vertigo
release date: November 21, 2018 – July 31, 2019
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