This is a true believer on Wednesday, which means it’s time to go on another version of Marvel Rutdown. Beat’s team of writers checked out the Marvel Book released this week again. Our main reviews watched a future Marvel story alongside Daredevil: Charles Soule and Steve McNiven’s Daredevil: Cold Day. Additionally, our quick bankruptcy this week introduces Miles Morales: Spider-Man, the Immortal Thor and the X-Men!
True believers want to hear from you! Tell us what you think of this week’s Marvel Comics! Speak up to us in the comment section below or in the comment section @comicsbeat or @comicsbeat.bsky.social and let us know.
Daredevil: A Cold Day in Hell #1
writer: Charles Soule
Co-author/artist: Steve McNiven
letter: VC’s Claytown Cowles
A few years ago, all in the “controversy” of comic social media, people on the internet were angry with artists Steve McNiven. McNiven releases some Wolverine as weapon X art captures appearance Barry Windsor-SmithThe legendary writer and artist behind this legendary story. For some reason, some people are frustrated with Windsor-Smith’s style, McNiven Drew accused him of taking him away. But, in fact, anyone who looks at those images knows that McNiven obviously respects one of the great artists of the comics, while still clearly his work, and two, dear Lord, do they know that Steve McNiven can draw like Barry Windsor-Smith?
Since then, McNiven continues this exploration of style. He made a story in one shot by Conan to fully explore the story of Windsor-Smith Conan. He made a bunch of covers on the Moon Knight to pay tribute to various artists like the 90s Todd McFarlane,,,,, Jae Lee,certainly, Stephen Platt. See McNiven go from his Surrealist, he’s in a book civil war It was an exciting development for the artist for his recent style imitation. Seeing him lost, exploring the work of other artists, and this is his foot that is an extraordinary foot.
Take us here Daredevil: A cold day in hell McNiven performs complete artistic responsibilities in a book and with previous Daviville scribe Charles Soule. Surprisingly, this is obviously a tribute to McNevin Frank Miller. Yes, this can be read as Dare The equivalent of Miller’s landmark Batman story The Dark Knight is back. The helpless Matt Murdock runs a soup kitchen and refugee shelter. Kingpin is dead. There is a huge war in New York. Heroes are nowhere to be seen.
But this is McNiven’s other visual tribute, a love letter to the creator, which obviously means a lot to him. Like that landmark work, Cold Day in Hell In Hell can be a display of artists’ considerable skills. The material behind helps inform writers Soule and McNiven’s decision to do a complete Marvel method for the book. This is rare in superhero books, especially in Marvel’s superhero books The writer gives him art and storytelling collaborators full artistic freedom. That soule was generous enough to trust McNiven to deliver the goods, which meant a lot to them as collaborators.
So McNiven embraced some of Miller’s storytelling ticking here. He used flexibility to give him a 16-panel layout. He knows When to go crazy (there are some really impressive action sequences in it), get quieter (the gloomy opening page), and when to get the most impact. His visually conveyed sensory overload (by Clayton Cowles Lettering) It’s amazing when Matt Murdock recovers his power. Here is a layout and storytelling command that other Marvel artists should indeed study.
Daredevil: A cold day in hell Features are probably the best visuals of Steve McNiven’s career. although Dean White The next two questions will be handled, McNiven handles all artistic responsibilities here. There are some extraordinary characters in the book, from the fragile action on the opening page of Matt Murdock to the way he bounces his character back on the page. Surprisingly, he did not try to imitate Miller in collaborative Klaus Janson. That beautiful mixture of ink, delicate feather weight lines, thick strokes and spots of negative space doesn’t fit the story he told in this opening question at least before the last page. Instead, his visual effects are more inspired by Miller’s works. European Ligne Claire meets Japanese diagonal burning line Luo Ning Beautiful color palette with Lynn Varley Elektra lives again. The result is one of the most eye-catching and confident comics Marvel has released over the years.
Daredevil: A Cold Day in Hell #1 Definitely Steve McNiven’s artist display cabinet. Although Marvel has certainly made several alternative books for their future books over the past few years, this is certainly one of the best or at least the most memorable ones. This is probably the best job of his career. If there are any circumstances where the company should go back to the old Marvel method with trusted artists, let’s do it.
judgment: purchase
Failed quickly!
- Miles Morales: Spider-Man #32
- Myers went to Wakanda to find a cure for his vampire and came back because the avatar of the spider god Anansi was not on my bingo, but I was not happy with the direction of the writer Encoding curve Take it with our young cyber priests. Ziglar is away from the other man’s orbit little by little, with his problems, supporting actors, Rogues Gallery and relationships with him moving in the larger Marvel Universe. Now, in this new God’s War In the arc, Miles found himself in a war greater than human civilization, because the Olympian war God Ares Ares came for Anansi. Ares authorized to join his war on Anansi and his avatar, but not eliminated, and Anansi spins his story network to bring the godly Avengers Thor and Hercules to his Avatar. The artist looks more like a work of art in a high-speed animation unit, the artist Marco Renna Color artist Bryan Valenza’s bright palette pops up from the page and exudes an energy that finds a young and edgy who can be as young as our young heroes as our Anansi team and Ares Team Ares Square. – GC3
- Myers went to Wakanda to find a cure for his vampire and came back because the avatar of the spider god Anansi was not on my bingo, but I was not happy with the direction of the writer Encoding curve Take it with our young cyber priests. Ziglar is away from the other man’s orbit little by little, with his problems, supporting actors, Rogues Gallery and relationships with him moving in the larger Marvel Universe. Now, in this new God’s War In the arc, Miles found himself in a war greater than human civilization, because the Olympian war God Ares Ares came for Anansi. Ares authorized to join his war on Anansi and his avatar, but not eliminated, and Anansi spins his story network to bring the godly Avengers Thor and Hercules to his Avatar. The artist looks more like a work of art in a high-speed animation unit, the artist Marco Renna Color artist Bryan Valenza’s bright palette pops up from the page and exudes an energy that finds a young and edgy who can be as young as our young heroes as our Anansi team and Ares Team Ares Square. – GC3
- Immortal Thor #22
- After the popularity began, I kept cooling down slowly The immortal thunder god writer Al Ewing’s Ongoing Marvel Epic. The book lost momentum after its original artist left. Eat tobacco, Who took over the series artists, not bad, but the clumsy style and chunky faces didn’t quite fit Ewing’s grand words. Still, the driving force of the story has been engaging, especially the last two questions Ewing made his finals. Issue 22 is an interesting, interactive story that invites readers to get lost in the endless backs where Thor and his companions find themselves trapped inside. I took a moment to say my head around the head of the storytelling, but once I found myself jumping back and forth, frustrated with my fate but didn’t want to deceive myself into the way out. The gi head is certainly that – but it’s an interesting guy, it hammers the endless cycle, the wheel of life and death back home in the entire run center of Ewing. It makes us Feel Thor is in trouble with frustration and despair. The art of Bazaldua is useful – clean and readable. The highlight is how she presents the McEscher-style background of endless stairs and maze claustrophobia. Matt Hollingsworth To make colors, they are a sick, faded green that lives a faint life as the character gradually develops between things like life and death. Joe SabinoThe lettering is the key to bringing different narratives together. It’s fun to see how writers and artists merge individual pages together while inviting us into bigger stories. Ewing has been on the line between the storyteller and the story being told, and the meaning that comes from the beginning with the interaction with the issue. No matter his superstar artist, don’t bet on Al Ewing’s superhero comics. The immortal thunder god The sound was found again. – tr
- X-Men #14
- X-Manunt is over and the team is pretty good. In fact, it’s so good that there’s little mention of the recent crossover that will change everything about the X-Men. That’s strange. Almost like running around to adapt to Hickman’s Imperial Plan. Anyway, X-Men #14 is the next chapter of the author’s total 3K arc Jade McKay It has been building since the series was released. It also has the return of the series main pencil Ryan Stegman. This question feels like setting up a big deal. The problem begins with finding Piper Cobb, who has disappeared from the Alaska wilderness. But, it will soon be obvious that it’s something that makes them move on the X-Men in 3K. McKay’s writing is on the rise here. So far, I have started to feel that plot threads have some real rewards. It’s nice to see Stegman back in the book, but it has a rigid moment in the character model, the Cyclops. This may be the fact that from Stegman is not the only one signing the issue. He joined JP Mayer Who did a good job, but the two inkists gave the book a shorter look. The layout and action are still good and look great. It’s just not as good as I expected from Stegman. It should also be noted that this question also introduces us to the new X-Villain Wyre. So, well, key issue alerts. His design is fun, and although the scene is designed to be a big show, the fact that he looks like Sabertooth is more like Sabertooth to his trash. It weakens the power of revealing. Who knows, maybe we are bringing back the Sabertooth clone? Either way, X-Men #14 is a steady start to a new arc that promises a return on the 3K arc. I suggest checking it out, especially for X-Men fans. -jj
Come back next week for more comments, or read past reviews from Failed Team through our archives!
