when you think Brian Michael Bendisyou may not think of horror.
Like, exactly. You might not even think about black crime anymore. Despite his good work Jinx and trunk Literally brought him to the dance. or that power, This shows that he can work across genres. It’s probably his superhero work that stands out in your mind these days. Miles Morales, Riri Williams, Jessica Jones co-creator, the page seems to be filled with back and forth dialogue.
He brought a storytelling style to comics that was influenced by writers like David Mamet and Aaron Sorkin, focusing on dialogue and often inserting seemingly trivial pop culture issues to engage readers. Todd McFarlane got his attention when he first asked sam and twitchand then something different. A new horror title. At least for a while. Before he was cast as a Marvel superhero.
“What do you do to these people?
hell child Through Bendis, Steve Niles, Ashley Wood, Bill Sienkiewiczand Richard Starkings and Oscar Gongora of Comiccraft The first six issues were dark, dirty stuff. I say this in the nicest possible way, but it’s really disturbing. It takes McFarlane’s horror-related superhero, eschews most superheroes, and throws him into a more violent, disturbing story that feels topical.
Oddly enough, these stories still feel so timely. It’s not so much the “Joker” duo in the opening scene and their long-time rivals who incite people to commit suicide. But in the second case, a religious extremist is inciting hatred against non-white heterosexuals on a talk show. Does it feel familiar? Of course, you should be forewarned that racial and homophobic slurs are used in these questions, which can make you feel even more uncomfortable. Add to that a twisted obsession with the news media, and you’d swear it was Bendis writing this today.
Ashley Wood’s artwork can be controversial. Sometimes it implies action. Sometimes things get blurry. This is something you have to pay attention to to truly appreciate it. An expressionist and surrealist approach that emphasizes rough-hewn figures and splashes of dark color. For a weird horror, it works really well.
There was definitely a balance to be struck between Bendis and Wood due to his tendency to be lengthy in some of his dialogue, and Richard Starkings and Oscar Gongora’s lettering had to achieve that design. I like the style developed here, incorporating some of Starkings and John Roshell’s open mixed case approach sam and twitch Tom Orzechowski Gives Mothership a More Traditional Style spawning title. There are also some chat windows for some on-the-run comments.
“I told you, stay out of my world!
First six issues hell child The authors: Bendis, Niles, Wood, Sienkiewicz, Stuckins, and Gongora, bathed in shadow and pain. It features Wood’s haunting expressionist artwork that breathes life into a series of horrific stories involving suicide, racism, prejudice, torture and more. It’s very effective at creating an unpleasant feeling even just thinking about the subject.
After Bendis left, Wood continued as artist until issue #10. Ben Templesmith then became the regular artist, working with Niles until the end of the series in issue 16. content. spawning The tone, though, is still interesting. New paperback edition of the book Hell Seed: The Complete Collection It is expected to be released on March 18, 2025.
Classic Comics Compendium: HELLSPAWN
hell child
writer: Brian Michael Bendis and Steve Niles (Chapter 6)
artist: Ashley Wood
Additional inks: Bill Sienkiewicz (Chapter 4)
Engraver: Richard Starkings and Oscar Gongora of Comiccraft
Publisher: Image comics
release date: August 30, 2000 – March 14, 2001 (original question) | March 18, 2025 (New version coming soon)
available for collection Hellspawn – The Complete Collection
Read past entries in the Classic Comics Compendium!
