This week: Absolute Force 7 Task Force #4 is here! In addition, we have also summarized the common introductions of other DC books on the market!
Suicide Squad VII #4
writer: Posac Picheshot
artist: Claire Roy
Colorist: Lee Loveridge
Writer: Dave Sharp
We’re halfway through our Washington, D.C. summer activities book absolute power at this point. Both the main series and the sister series are halfway done Working Group 7 on Absolute Powers. It starts out as an event comic that’s easy to pick up for those who haven’t read any of the stories. “Runaway Insurance”, “Brainiac House”, “Beast World”. The setup there took nearly a year. Fortunately Absolute Power: Ground Zero Special Edition and Issue 1 make everything look clear.
But soon absolute power became the kind of event series you had to read everything about. The first issue ends in one place and then the second begins, as if the whole act happened in the middle. God forgive you if you didn’t read the tie-in question that explains why Superman once again wore his black costume in The Death of Superman or how any of the characters got their fancy new armor.
This makes reading a book like Working Group 7 on Absolute Powersbilled as a book that examines different Amazon robots under the control of Amanda Waller battling different factions of heroes, suddenly seems like a bigger deal than it actually is. Because now it seems like the really important events are happening somewhere that’s needed to understand the main series. There is also a series name Working Group 7 on Absolute Powers Seemed like an ideal place to connect these events. Especially since the series is published every two weeks.
Except this series is more of an anthology series, featuring different Amazonian robots attacking different factions of heroes. Things happen, but with different creative teams working on each issue, what happens is mostly tied to the specific group of heroes Amazo fights. What happens in this series has a greater impact on any of the books it is connected to (see below) than the actual events.
Take the fourth issue of this series as an example. The author: Posac Picheshotand art Claire Roy and Lee Loveridge. Failsafe, the unsympathetic robot Batman, hunts Voodoo of the WildC.ATs at the old Court of Owls base. Nightwing and Tim Drake Robin assemble a small group of heroes in an attempt to evade capture. The failsafe found them, and one was caught trying to escape.
If you are a reader Absolute Power #2 And wondering how Nightwing got from the disaster at the Fortress of Solitude to the labyrinth beneath Gotham, you’re out of luck. If you selected this content because it follows the question batman or nightwing, You might be very confused by the Steve Trevor subplot that runs throughout this issue of the series. The subplot of Trevor infiltrating Camorra Island Prison seems completely disconnected from the actual series. Something happens to the bad guys, but who knows if it’s actually meaningfully related to the event.
That said, it’s actually a solid issue for a one-shot at a large event. Peachshot has written a compelling story of heroes trying to face incredible odds with limited means. Roe and Lougridge’s visuals are the most unique in this limited series to date. Roy’s extensive use of shadow rendering adds a sense of claustrophobia and isolation to the adventure. Loveridge’s limited palette of blues and greens doesn’t overwhelm Roy’s artwork.
However, this is just a small story that will be lost in the great events. absolute power. This goes to show how unwieldy it is to limit the main series to four issues. There’s so little breathing room that anything related to the series becomes more important than it should be. Working Group 7 on Absolute Powers It’s supposed to be just a series of one-shot stories showing the heroes facing off against a new generation of Amazonian robots. Instead, it’s a confusing series that ties into other issues.
Overview
green lantern #14: Speaking of matching outfits, if you haven’t read it yet Working Group 7 on Absolute Powers #3, you’re really going to get lost in some parts of this problem. This question is raised by Jeremy Adams He also wrote this issue, which pits the JSA and Alan Scott against an Amazo who looks like a Green Lantern. Scott surrenders to the man after discovering that it may have developed free will after absorbing the Star Heart from him. The JSA jumped to the Tower of Destiny while Scott was still testing the new Amazo, named “Emerald Stone,” in Camorra Prison. Meanwhile, Hal Jordan tries to escape. The best part of the issue is Hal trying to escape Waller’s goons and artists using the villain’s various weapons Fernando Pasarin and Auclair Albert Have fun with accessories depicting bad guys from condiment kings to keys. Although the subplot of Duran taking over the United Planets is pushed down a few pages and reappears in this issue, it’s a sad sight for anyone reading the book properly. At the same time, anyone reading this book will be impressed by the absolute power The connection will definitely be confused by the last page. absolute power Definitely move on.- Batman: Gotham by Gaslight—The Age of Krypton #3: The sequel series is a real disappointment Gotham by gaslightA comic with such a simple concept (Batman faces Jack the Ripper) feels overly complex. Andy Diggle’s The script seems to work Alan Moore and Kevin O’Neill’s League of Extraordinary Gentlemen But for DC superheroes. He crams as many DC characters into a Victorian setting in the least exciting way possible. A comic in which Wonder Woman hails from Themyscira at the center of the Earth and fights a giant talking centipede would be more appealing. Casting Alan Scott as an air hustler is more interesting than reading about it. Diggle is unable to create a truly vibrant world here. Aside from playing it straight, everything looks like a “if you put on gear, it’s steampunk” joke. Even if you set something in Victorian or Edwardian England, no matter how beautiful, you still have to make it a believable space Leandro Fernandez and Matt Hollingsworth Render it.
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